![]() And as the band crossed over via acoustic coffeehouse ballads (2009’s “The Only Exception”) and breezy, gospel-infused funk (the Grammy-winning 2013 single “Ain’t It Fun”), Williams seized the mantle of the Warped Tour generation’s foremost feminist voice, even disavowing their first Top 40 hit, the 2008 love-triangle rager “Misery Business,” for lyrics that painted the other woman in a nasty light. Alongside peers like Fall Out Boy and Panic! At the Disco, Paramore gradually pushed pop-punk out of the mosh pit and past the velvet rope. On their early records, Paramore updated the candy-coated angst of Avril Lavigne with the urgent emo-schooled dynamics of Jimmy Eat World, but recurring personnel changes would reformulate the band’s chemistry on an album-by-album basis. ![]() ![]() Atlantic acquiesced by grooming Paramore on their indie-leaning subsidiary Fueled by Ramen, where the group debuted with 2005’s All We Know Is Falling. Initially signed as a solo artist to Atlantic Records-which had designs on turning her into the next Kelly Clarkson-Williams insisted on including her high-school pals in her pursuits, forming a band that reflected the harder alt-rock sounds she was more naturally drawn to. Even from their 2004 inception in the suburbs of Nashville, Paramore’s identity was constantly in flux. ![]() “Because what if we’re not as good at that?” Her tenure as frontwoman for Paramore has given her plenty of opportunities to conquer that fear. ![]() “Every time we do a record, I get so married to who we are in that moment that I’m scared for us to go be something else,” Hayley Williams admitted to Apple Music in 2017. ![]()
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